Charlotte Jansen’s Girl on Girl book collects female identities worldwide captured by female photographers, a necessary rejection of patriarchy with unapologetic softness. The dreamy haze of Mayan Tolendo’s domestic spaces and Izumi Miyaki’s depiction of familiar apprehension of precious ritual – the haircut – invite us into a familiar world: the female experience. With the defiant voice of resilience in this collection, our narratives are revived within our possession, erasing the exclusivity of photography to men.
