
Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was closely associated with the Surrealist movement and created such iconic pieces as the “Tear” dress, the “Shoe” hat, and the “Bug” necklace. Prada, who holds a degree in political science, took over her family’s Milan-based business in 1978, and focuses on fashion that reflects the eclectic nature of Postmodernism. Both were born in Italy, Schiaparelli in Rome in 1890, Ms. Prada in Milan in 1949. Both were from old, conservative families, and both went rogue early on. As a young woman Schiaparelli shocked her parents by writing sexy poems and taking a nanny job in London. Ms. Prada, a child of the 1960s, mounted the leftist political barriers with her peers.
The exhibition showcases approximately ninety designs and thirty accessories by Schiaparelli (1890–1973) from the late 1920s to the early 1950s and by Prada from the late 1980s to the present. Drawn from The Costume Institute’s collection and the Prada Archive, as well as other institutions and private collections, signature objects by both designers are arranged in seven themed galleries: “Waist Up/Waist Down,” “Ugly Chic,” “Hard Chic,” “Naïf Chic,” “The Classical Body,” “The Exotic Body,” and “The Surreal Body.”
schiaparelli and prada: impossible conversations
the metropolitan museum of art, new york
may 10th – august 19th, 2012
More information at www.metmuseum.org/impossibleconversations
The Met’s Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias’s “Impossible Interviews” for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work. Iconic ensembles are presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches.

May 19 13 @ 5:16 PM
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Tom Petty & the HeartbreakersMay 21 13 @ 5:23 PM
MoMA's Annual Party in the GardenMay 22 13 @ 5:37 PM
of Montreal at Music Hall of WilliamsburgMay 23 13 @ 5:27 PM
ØDD Spring SaleMay 24 13 @ 5:40 PM
Yacht at Shea StadiumMay 25 13 @ 5:50 PM
James Murphy and Special Guests at Grand Prospect HallMay 26 13 @ 5:54 PM
Oneohtrix Point Never at Saint VitusMay 27 13 @ 6:01 PM
A conversation With James MurphyMay 28 13 @ 5:46 PM
Naoaki Funayama: X-don at Ouchi Gallery
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beautiful work! posters for posterity!2
I like it. And it grabbed your attention esp. if you posted a comment below. whether you love it or hate I don't see anything where it promotes violence or degrading women.. what i see is government taking away the rights of a citizen n the rights away from people. Failure to follow instructions will land us in prison like the model. Now if steven photographed the same concept with average shmucks would we pay much attention to it? i dont think so. it'd be just another political journalistic photograph.3
i agree4
Lovely inspirations <3www.whitebluebird.com5
Perfect inspiration for our soon to be flat : )6
This list is one of the best of restaurants around England.7
... Tilda is like kristen mcmenamy - magic in everything8
the tilda shoot is magic.9
Boring10
LOL this is such a frumpy campaign. Raquel Zimmermann looks so awkward dancing those bad bad moves. WWTT??? a.k.a What Were They Thinking?