Next, in a darkroom environment, a silver nitrate solution is applied to the salted paper, creating a light sensitive emulsion. Let it dry. At this point, a contact print can be made by sandwiching a film negative or some sort of transparency and letting the paper sit in the sun.

In my case, I had access to a powerful UV light with a timer, which worked in a similar fashion, and allowed me to work at night in the winter. It’s quite neat seeing the image once it’s been exposed, and after washing and fixing, you’re done.

excerpt form HeatherMorton interview Of Andrew b. Myers

Be sure to check his portfolio for more goodness

I love his photographs, what do you think about it ?